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Dedication and self-transcendence motivationDedication and self-transcendence motivationArtistic conception creation level

-The artistic conception is profound and long: the poem creates a unique artistic conception that is both sad and full of hope. Starting from the picture of falling flowers flying, it is a slightly sad scene brought by dying and disappearing, which makes people seem to see colorful petals rustling in the wind, silent and lonely. This is the presentation of the real scene in front of them and lays a certain emotional tone. However, at the turn of the conversation, the imagination of the fallen flowers melted into the soil and turned into nutrients to nourish the new flowers, which added a touch of vitality and hope to this picture, making the whole artistic conception flow between decline and rebirth, disappearance and continuation, with endless charm, so that readers can expand their thoughts and immerse themselves in this profound and poetic situation in the process of reading.Stick to the initial heart and unswerving belief supportStick to the initial heart and unswerving belief support

-cross-era enlightenment: its significance is not limited to Gong Zizhen's era. Even after a long time, it still has a profound enlightenment. In all fields of today's society, whether educators do their best to train the next generation, or researchers are willing to sit on the bench and devote their efforts to promoting scientific and technological progress, or countless ordinary workers stick to their posts and shine, we can find spiritual reflection from this poem. It reminds people that the value of life lies not in temporary gains and losses and position, but in being able to pay and contribute continuously, transforming personal strength into nutrients to promote social development and nourish the growth of beautiful things, and inspiring generations to make unremitting efforts to realize the unity of personal ideals and social values."Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem:Image and ideographic level